Wilkie Martin - Surviving Publication

Author of the unhuman series of addictive comedy cozy mysteries set in the Cotswolds. This documents my encounters with publishing and includes things I hope will be useful later. It also covers some local writing competitions and reviews some writing events.

Monday, 19 April 2010

Ducks, Geese and Writing

The Festival of Writing (#festivalwriting) happened at York University over the weekend of 9 -11 April 2010 and I was there. So were about four hundred other writers, literary agents, publishers and book doctors. I think this was the first event of its kind in the UK but plans are underway for next year. I went there to learn from published authors, for a couple of one to one sessions with agents, to find out about the publishing industry and to meet people. I thought it might feel strange to be a student at University again, after a gap of thirty years, but it wasn't. I'm sure that was because nearly everyone I met had a similar interest. They were friendly, good fun, hard working, hard drinking and entertaining. Student accommodation has improved immensely since my time and I did miss the old squalor, degradation and misery but, then, I'm funny like that. The University grounds contain the largest plastic-bottomed lake in Europe and the noisiest, nosiest collection of ducks and geese.

The weekend was divided into keynote addresses, workshops, one-to-one meetings with agents and literary death matches. Best selling author Katie Fforde, a Stroudie, kicked off the event with a witty address built around her ten rules for writing success. Perhaps the most important one is to persevere; it took her eight years of hard writing to get published, which is not an unusually long time-scale.

Then there were workshops. I attended ones on creating a sense of place; the likelihood that Ebooks are the future of publishing; plotting; publishing and using the media to promote a book. These consolidated workshops and courses I'd done before and provided some valuable new insights. Claire Siemaszkiewicz's Ebooks workshop was particularly insightful. In addition she brought some sample e-readers, which have come a long way since I first saw one. I was surprised that this workshop wasn't better attended, though I suspect some were put off by Claire being an erotic fiction publisher. They missed out on a very informative session. Her surname should be borne in mind, if only for use in the new version of Scrabble.

I had one-on-one sessions with a literary agent and a talent scout. Though neither said (as I'd hoped in my more optimistic moments) that my novel was the best they'd ever read, they provided insightful criticisms that I think will enable me to get it right in the end. They certainly provided the impetus to rewrite the first chapter as soon as I got back.

On Saturday evening we enjoyed a gala dinner, followed by the Literary Death Match! In this a selection of established and unpublished authors read and performed pieces of their work in an effort to win over the audience and judges. This was great fun, with the unpublished writers holding their own rather well. The popular vote went to Adele Geras for her moving episode based on the sack of Troy but Mary Flood, unpublished as yet, won the judges' vote. From the also reads, Veronica Henry's erotic story was hilarious, as was Toby Frost's bizarre fantasy (from an excellent book - which I am now reading The Wrath of the Lemming Men http://bit.ly/9sa9HB). I also loved John Taylor's moving and evocative piece.

Roger Ellory provided the Festival's finale. His was a funny but revealing address. He referred to a poll that suggested that being a writer is the second most desired profession, after Premier League footballer. For those believing it to be a romantic and lucrative profession, he provided some thought provoking figures: 80% of books published in the UK sell fewer than 500 copies; the average published author can expect to make £7000 a year; only 2% of published books published can be classed as 'best sellers. If you're going into writing to make lots of money, then you may be disappointed. However, if you write because it is a passion then you have a chance of success. He, like Katie, stressed the importance of persistence.

When I got home I was exhausted and my head was still spinning. I'd learned a lot, been entertained and met some fabulous people. Looking back, there were other workshops that I would have liked to attend, had time permitted. Maybe next year.

Thanks to the Writers' Workshop for hosting it.

Workshop Notes

Workshop notes http://www.festivalofwriting.com/notes2010.html

Other blogs and comments on the festival:

WritersCircle – York Festival of Writing Report http://www.mywriterscircle.com/index.php?topic=27232.0

Butterfly in flames – Festival of Writing 2010, York http://www.butterflyinflames.net/Site/Butterfly%20in%20Flames%20Studio%20Blog/3D5E7F3C-345A-45EB-AA68-51D85E6F5D38.html

Matt Hoilton – There and back again.. or a Day at York http://matthiltonbooks.blogspot.com/2010/04/there-and-back-againor-day-at-york.html

Jane Lovering – Getting Snappy http://janelovering.blogspot.com/2010/04/getting-snappy.html

Verity Ferrel – York Festival of Writing April 2010 http://verityfarrell1.wordpress.com/2010/04/15/york-festival-of-writing-april-2010/

Miranda Dickinson - Gives Us another view of The York Festival of Writing

Davina Pearson - The festival of Writing – Wow http://www.davinapearson.com/component/content/article/1-blog/45-the-festival-of-writing-wow

The Word Cloud Event – Festival of Writing http://www.thewordcloud.org/events/profile/66

The Word Cloud Forum – Festival of Writing

Authonomy Hisghlights from Festival of Writing http://blog.authonomy.com/2010/04/highlights-from-festival-of-writing.html

The Elephant in the Writing Room – York Festival of Writing: how was it for you? http://theelephantinthewritingroom.blogspot.com/2010/04/york-festival-of-writing-how-was-it-for.html

Debbie Alper – York wrapped up http://debialper.blogspot.com/2010_04_01_archive.html

Julie Cohen – The Festival of Writing in York

Emma Darwin Ducks, dreams and cross-channel ferries: the York Festival of Writing http://emmadarwin.typepad.com/thisitchofwriting/2010/04/ducks-dreams-and-crosschannel-ferries-the-york-festival-of-writing.html

Sue Moorcroft Tell us about the York festival of Writing 2010 http://romanticnovelistsassociationblog.blogspot.com/2010/04/sue-moorcroft-tells-us-about-york.html

Penny Legg – The York festival of Writing

Linda Jones – A wonderful weekend at the York Festival of Writing http://www.gotyourhandsfull.com/2010/04/a-wonderful-weekend-at-the-york-festival-of-writing.html

Penny Grubb – First Festival of Writing http://pennygrubb.blogspot.com/2010/04/first-york-festival-of-writing.html?utm_source=twitterfeed&utm_medium=twitter

Strictly Writing – Diary of 2010 Festival of Writing

Liz Fenwick – the York Festival of Writing http://lizfenwick.blogspot.com/2010/04/york-festival-of-writing.html

Cath Bore – Crime Doesn’t Pay http://cathbore.wordpress.com/

Cath Bore – What Katie said to do next… http://cathbore.wordpress.com/

Davina Pearson – Revisions and Conferences http://www.davinapearson.com/index.php?option=com_content&view=article&id=44

Thursday, 8 April 2010

twitter hashtags for #writers and #writing

As a newbie on twitter I've found a few hashtags useful to search on when looking for writerly tweets to see whats happening in our world of literature. I found quite a few different tags being used and as I'd like to keep a list of these where better than by putting them, and sharing them, in a blog?

So far, I have found the following:


And these related ones that I've come across while looking around the twittersphere,


If you know of any others please let me know.

My Related Postings

Linking twitter to facebook and adding twitter to blog
Include an option on your #webpage so it can be added to delicious.com #social #bookmarking
Include options on #blog to add the posting to #social #bookmarking sites
Starting to use social bookmarking and the favourite sites/blogs manager deli.cio.us
Starting on facebook

Thursday, 1 April 2010

Jenny Jones at #WritersintheBrewery 25 March 2010

Writers in the Brewery welcomed author Jenny Jones. Jenny has been published frequently in the horror and fantasy genres but is now working as a psychotherapist. She has found that her new profession has gives an insight into why she writes horror fantasy and spoke in defence of the genre, which some people look down on as not being 'real'.

She believes the genre is the equivalent of fairy stories for grown-ups, or at least those grown-ups who have retained some of the childlike capacity to use their imagination. The fascination with horror is a left over from our earliest memories, such as the terror of being born and the inability to escape from things that may be frightening. A baby that has been left alone with its own fears for too long may well be damaged for life. A good horror story takes us back to childhood fears. Despite everything, horror is a popular genre especially among teenagers who are going through so many changes. After all, our worst fears may threaten to overwhelm the heroes but normally, by the end of the book, they have triumphed over them.

Jenny recalled that the first story she remembered writing was a horror story. She didn't consciously decide to write stories in the genre; that was just the way they turned out. She found them cathartic. That may be the reason why she has found writers in the genre to be so easy to get on with - they have written out all the bad stuff.

My Related Postings

Cherry Gilchrist at #WritesInTheBrewery
Sue Chad at Writers in the Brewery 28 Jan 2010
Writers in the Brewery Nov and Dec 2009 review
Writers in the Brewery Writer's workshop